Backroad Studio Tour

Looking for something to do after Thanksgiving? Then go on the Backroad Studio Tour in Columbus, North Carolina on November 27, 2010. My studio will be opened from 9 am to 5 pm. I will have some of my Offering pieces, copper enamel and fabric wall pieces, fiber notecards and journals. Four other artists are part of the tour, all within a few miles of each others:
Claude Graves of Little Mountain Pottery (Kiln opening at 11 am)
BJ Precourt (folk art carving), Don Rausch (twig furniture) and Joe Cooper (metal). For more information, directions and opening hours of each studio, visit:

http://www.nc-mountains.org/events/1446-2010-11-27

For directions to my studio, email me at housefiber@hotmail.com.

Upcoming events

It has been forever since I wrote anything in this blog but I did not want to miss the opportunity to inform you of a few upcoming events on my schedule:

On July 24 and 25, 2010 I will be part of the second annual open-studio tour "Art Treck" in the Tryon/Columbus/Landrum, NC/SC area. This will also coincide with an exhibit at the Upstairs Gallery in Tryon from July 23 to August 21, 2010. So if you can, come and visit me in the studio!
For more information, contact mailto:contactfrontdesk@upstairsartspace.org

On July 29, 30 and 31, 2010 I will be teaching again at Quiltfest in Johnson City, TN. This yearly event is organized by Tennessee Quilts in Jonesboro,TN and is lots of fun. I will be teaching an introduction to crazy quilting, a fine-hand quilting workshop and an embellished trapunto workshop. For more information, contact Tennessee Quilts at http://www.tennesseequilts.com/ or call toll-free 877 835 0935.

Finally, from August 29 to September 4, 2010, I will teach at Arrowmont in Galtinburg, TN: my workshop is called "Hand-quilting: old technique, new possibilities". It is mostly for art quilters or people making contemporary work and explores ways of creating textures on various fabrics with all kinds of different threads. Lots of fun! So if you can, join us. To contact Arrowmont, http://www.arrowmont.org/ or call 865 436 5860.

Another discarded element?

I keep making progress on the new box, which is a good feeling. I am very pleased with the chartreuse color of this fabric. I had only a very small piece of that. I dyed more and I think I nailed it!

Now on to the other element. Each little piece was cool but put together it looks like a "piggy round table", doesn't it? At this point, I am not sure it will stay. It would loose its piggy-ness once it is incorporated into the box but I don't know if I like the proportion of this and the other things together. I have to wait until I have all the pieces and see how they look. Since putting them together is the last thing I do, it will be easy to discard it or not or may be replace it with something else. Who knows???

more trial and error

This was supposed to be part of the top of the new box. I like it but when I put it on the bottom piece, it really does not look the way I want.

So back to square one on that part. Now I am trying to figure out how I can make the top in the way the satisfies me.

In the meantime, I am sure that what I did already can be used in something else and all of that also means that I am spending time in the studio!

Patterns

As each new box has a completely different shape, I have to make new patterns each time. Garment makers would probably have an advantage and a few useful tips on how a flat pattern can become a dimensional fabric piece.

As it is, I work with trial and error. I think of the shape I would like to get and draw a pattern that is along the lines I want. Because I have a hard time visualizing flat to volume, I make a muslin mock up of the first pattern. I know it will not be what I want but from that, it becomes a lot easier for me to see how I need to alter the pattern.
So this is what I did yesterday night. I drew my first pattern and make the mock up.

It was a good starting point to add more panels and change the shape. So on to step 2.

That was closer but still not quite the size (a bit too large) I needed and I also wanted a more accentuated shape. And there we are. I am pleased with this one and I think it will work well for that I want to do.

Now I need to decide the color and also what kind of fabric I want to use. I really would like to use cotton velveteen. It would look great there. The problem is that it is also a bit thicker than silk or cotton and because the shapes are small and there are many seams within a small area, that might be a problem. I guess the only way to find out is to try!

Inspiration

For a number of years I have had the book called "The Impetus of Dreams", a collection of watercolor paintings by Daniel Merriam. I just love it: the jewel tones, the shapes, the content that is often most unexpected....and the details! Every time I look at the images, I discover new things. There are so many levels and layers in these paintings, both esthetically as well as conceptually.

So I was leafing through this wonderful book recently and it gave me the inspiration for my new "Offering". Of course, my box will not look like anything he painted but his art was the sparkle that started my inspiration.

This box is probably going to be quite different from the others, just because I am using colors that I do not often use, or rather that I do not use together. So that is really fun. I am also trying out new materials and techniques...a bit dangerous but fun also. So we shall see how this goes. I will certainly keep you posted!

One more things: for the past few days, I have been able to work all afternoon and into the evening in my studio. That feel sooooo good!

A medieval village

I meant to add the following post and photos several days ago but things got a little hectic here. Anything new??Anyway, after we left Paris, we went to a little village called Donzenac, somewhere in the middle of France between the towns of Limoges and Brive, where one of my nieces lives.

As most old villages in France, the houses at the heart of the village are all clumped up around the church. The streets are very narrow and the medieval architecture is still visible with stone gates and houses with visible cross-beams and second floor that juts out on the street
.

Since the village is at the top of a hill, the view is beautiful, even in the middle of winter. And check out the elementary school, not medieval obviously, but a gorgeous building!

Art nouveau in Paris....

Happy New Year, everyone! I hope these first few days of 2010 were great and that the rest of the year will bring you what you wish for.

I just came back from France where I spent the holiday season with my husband and my family. We stayed a couple of days in Paris and took advantage of some of the current exhibits.

At the Musee d'Orsay we saw an Art Nouveau exhibit (with an entire room and portions of rooms reconstituted with wooden panels, furniture and accessories. Breathtaking!) as well as an exhibit of Art Nouveau inspired art (some pieces were very nice, some I really did not care for but it was actually interesting to see the influence of Art Nouveau in so many contemporary ordinary things such as packaging or vinyl record covers.)

There is a lot of Art Nouveau around Paris (for example most of the metro gates in the center of the city.) So when we left the museum and walked along some of the well-known boulevards we saw several beautiful buildings, wrought iron gates and balconies, tiled house fronts, etc.

Most of the much older stone buildings in the center of the city, including Notre Dame, have been cleaned and the black grime that covered them is gone, leaving the beautiful creamy stone visible. Even on a dreary day, it was gorgeous.

This is the Louvres seen from the Seine

I spent another afternoon in Paris before I flew back home and went to see the Tiffany exhibit at the Musee du Luxembourg. It was ironic that most of the objects on display were on loan from museums or collections in the US and Canada. But what a treat that was! I had only seen photographs of Tiffany's works and had not realized how textured their surfaces are. The stained glass panels are made of layers of glass on top of each others so the surface is not smooth and the feeling of depth is incredible. I also realized that the glass is made with many different textures and techniques. There was a stained glass panel with an angel whose wings were made of rippled glass that really looked like feathers. The lamps on display, most of them designed by Clara Driscoll, were just stunning. I must add that everything was perfectly displayed and lit and it was really hard to leave the room and its brilliant colors to go back outside into the dreary winter . I cannot share any photos with you because photography was not allowed in the museum.